Antoni Gaudi, Modernisme and Barcelona

Look deep into nature, and then you will understand everything better. – Albert Einstein

Anything created by human beings is already in the great book of nature.– Antoni Gaudi

Do you wonder too, if with this novel and principal idea, did Einstein inspire the Art Nouveau movement? I wouldn’t go that far, although this thought of aligning art with nature seemed to be the most popular idea among geniuses in the late 19th century. From Victor Horta in Brussels to his contemporary Antoni Gaudi in Barcelona, these artists had created masterpieces that continue to amaze us more than a century later.

While I have seen, observed, written and shared about Art Nouveau marvels in Brussels, there is a big repository in Catalunya (particularly Barcelona) as well. The Art Nouveau movement began in Catalan around 1888 and was named ‘Modernisme.’ Propagated majorly by Gaudi in art and architecture, this was also a literary movement until 1911. Gaudi is, of course, the most famous, since he managed to create a unique personal style outside the realm of Modernisme during the period. Born in Reus in 1852, Antoni Gaudi i Cornet always wanted to study Architecture and did so, graduating in Barcelona in 1878.

Gaudi believed that he had Mediterranean heritage and was deeply influenced by the nature and art there. If you notice the motifs and shapes closely in most of his works, there is a distinct flavour and fragrance off the sea – its waves, the flora and fauna. This set of seven tiles, repeated in a pattern to create this Mediterranean atmosphere is no less than a work of astounding art. They include fossil shell, starfish and algae. These tiles were meant to be used in Casa Batlló, but the plan was scrapped and they were installed in Casa Milà instead. I probably missed clicking these tiles on the Passeig de Gràcia, the footpath right in front of Casa Batlló.

Maritime tiles

The motifs and symbolisms in Park Güell are better examples of Gaudi’s work in this phase of naturalism. From the iconic mosaic Salamander to benches in shape of a sea serpent, Gaudi has bared his love for nature in this park commissioned to him by the industrialist Eusebio Güell. If you notice the bench closely in the photo below, there are little holes to collect rainwater for the park, designed by Gaudi. The bench has strategic curves too for hosting conversations between the visitors to prevent eavesdropping. If that does not display the genius of Antoni Gaudi, I possibly cannot fathom what else would!

Serpent bench
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Art Nouveau Walk : Hidden Gems in Brussels

‘If you happen to live in Belgium, you can’t escape the Art Nouveau architecture all around the cities, most of it in Brussels though.’

That opening is a repetition from my first article on Art Nouveau architecture in Belgium. We are blessed to be living in the EU quarter of Brussels, surrounded by wonderful Art Nouveau buildings from 1890-1910. We participated in an Art Nouveau walk on the occasion of World Art Nouveau Day, organised by Dorka Demeter and We Love Brussels. The purpose was to know each other in a group of AN enthusiasts on social media and find some hidden gems in the EU quarter. Presenting a few from the ones we spotted.

Palmerston Avenue 4 – Victor Horta (1895)

Victor Horta designed this famous house for Edmond Van Eetvelde in 1895. The house has four levels, designed symmetrically in riveted metal beams. The designs are subtly exquisite and the garden grill has interesting details. We haven’t been inside the house yet, but it has a stunning winter garden.

Palmerston Avenue 3 x Rue Boduognat 14 – Victor Horta (1896)

Dorka, our guide, shared an amazing story about this enormous house. Georges Deprez was the director of the crystal factories at Val Saint-Lambert. His wife Mrs Van De Velde liked the Hotel Van Eetvelde right across the street and they commissioned Victor Horta to design this house. Horta used his distinct style of waves and created this beauty. The façade has intricate blue stone carvings.

Rue Philippe le Bon 51, 53 – Edouard Elle (1902)

This set of twin houses, mirror images of each other were designed by Edouard Elle in 1902. In the last image, note the identical doors, stained glass windows, sgraffito and geometrical windows. I particularly liked the blue stone low arches over the doors. These are a delight to look at, number 53 has been recently renovated.

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Le Mur des Je T’aime

Loosely translated to ‘The Wall of Love,’ this installation is pure love at Montmartre, Paris. I have been to the city thrice now and visited this wall on our second outing. A search for ‘unusual places to see in Paris’ led to this and we didn’t budge once to skip it. The weather in April is usually pleasant but 2019 saw a mini heatwave and we were exhausted after a hike in the morning to the Sacre Cœur Basilica. A long walk down through the winding lanes of Montmartre led to this refreshing Wall of Love. This was conceptualised by Frederic Baron and executed by calligrapher and mural artiste Claire Kito. There is ‘I Love You’ written in 250 languages for 311 times on 612 tiles of enamelled lava. It was installed in 2000. The beautiful quote on the top says ‘aimer c’est du dèsordre…alors aimons!’ – “Love is a disorder, so let’s love!”

Do you spot আমি তোমাকে ভালবাসি (I love you) in my mother language Bangla, right in the middle? It was so heartwarming and emotionally overwhelming to find your own among 250 other languages from the whole wide world. It’s a one-of-a-kind moment when a part of your social identity is recognised in other continents. I think we stood there for a few minutes, soaking it all in, letting ourselves flow in that moment. It was surreal.

This post is a part of Blogchatter Half Marathon.

Art Nouveau Architecture in Brussels

If you happen to live in Belgium, you can’t escape the Art Nouveau architecture all around the cities, most of it in Brussels though. The buildings are old, yet beautiful and intricate, to say the least. The Art Nouveau style has its roots in Brussels, started by two legendary architects – Paul Hankar and Victor Horta. Interestingly, both of them worked on a building each from 1890 and they were completed in 1893, simultaneously. The Art Nouveau wave lasted from 1890-1910 and was replaced by the modern and austere Art Deco. It sounds amazing that Brussels still retains more than 500 Art Nouveau style buildings, the one I live in might be among them too, it’s from 1900! The key features of Art Nouveau architecture were to deviate from traditional styles and build windows/doors/balconies/facades inspired from nature. You can see waves from the ocean, leaves and branches from trees, animal motifs and colourful facades with golden murals called Sgraffito.
We did a photo walk of a few such houses in Brussels. Do take a look at the photos if you’re interested, each of them has a story to tell.

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